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Time for Friday Questions. The first one I can answer is less than one word.

It’s from gottacook:

Often on Frasier, Martin will call Frasier by only the first syllable of his name. How was that spelled in scripts?

Fras.

MW is next.

You mentioned one of the scenes you wrote was assigned to a different script, not by you. I understand that and the money issues, but what happens during Emmy season and someone else's name is on a script you were mostly responsible for but they were assigned the credit? Who gets that Emmy?

The writer whose name is on the script gets the statuette. Technically you’re not supposed to submit an episode you didn’t at least provide most of the writing, but it happens all the time. There have been several instances where the Emmy-winning writer didn’t have three of his words in the script. And yes, that reeeeeally pisses me off.

DyHrdMET asks:

Are there people or services who, for a fee, would read your script with a TV insider's eye, and send feedback? And are those places trustworthy, regulated, and/or any good? Would you advise aspiring TV writers to avoid going there because they're scams?

I can’t speak for all but most are scams. These are generally not experts. And some of them charge a ridiculous amount. Many lie about their credits and background. Buyer beware.

One exception: I can strongly recommend Blair Richwood. She is absolutely terrific. I’ve used her myself and was thrilled with the results. Check out Episode 70 of my podcast. She was my guest and made a very gracious offer to writers just like yourself looking for feedback.

And finally, from Edward:

I listened to an old "Writers Room" podcast that included several people including you and Bill Lawrence. One comment made by Bill Lawrence was that he was fired several times early in his career for writing the show he wanted instead of the show the producers wanted. Are there any first-hand stories of this problem during your tenure as writer or producer?

David Isaacs and I were never fired off of any shows we worked on. But when you write a screenplay and they get someone else to rewrite you you are essentially fired. It’s just that no one tells you. That has happened a couple of times.

And then there was the time we met with a director on a rewrite. We pitched our ideas, he professed to love them and said start writing. We drove home and by the time I got into my apartment my phone was ringing. It was our agent. We were fired. I have no idea why. The only thing I can conclude is that we took Laurel Canyon over the hill instead of Beverly Glen canyon.

What’s your Friday Question? Leave it in the comments section. I do love the ones I can answer in one syllable but that’s not a prerequisite.

from By Ken Levine https://ift.tt/2Lu0POs
Breaking News: Friday Questions - News Paper