Breaking News: Here's an idea broadcast networks will never do: - News Paper

First some background.

Table readings are an important part of any scripted form process. TV shows, plays, movies – there is great benefit from assembling a group of actors and hearing your script read aloud. Especially for a comedy.

Now the key of course is to be objective and invite people who will give you an honest reaction to the material. Assembling an audience of the actors’ parents is not the best way to determine whether your script works. And if you as the writer just laugh hysterically to everything that is being said you’ll have no idea what you’ve got. So what’s the point?

Table readings for sitcom pilots have become major pressure cookers. It used to be the actors would sit around a conference table and the writers, networks, agents, etc. would ring the parameter walls. Actors were able to relate to each other because they were face-to-face.

But now there are so many network people, studio people, agents, managers, production companies, pod producers, etc. that the actors have to sit on a stage all facing out like being on a dais. And there can be close to a hundred people in the audience. It’s just insane.

Pilots get axed at table readings. Actors get fired at table readings. Networks’ enthusiasm for the project could go from high to low depending on the reaction. Things have gotten so crazy that now a lot of producers have pre-table readings to prepare for the actual table readings.

Okay, my idea that networks will never do. This is primarily for comedies.

Sometimes pilots don’t necessarily read funny. Especially if they’re character-based. And many network development executives don’t know how to read a script. They can’t picture it. (Yes, I know. Isn’t that their JOBS?) Also, networks tend to foist casting choices on the producers that are wrong for the parts.

So how about this? Each pilot script gets a table reading before the networks decide which shows they’re greenlighting for production. And here’s the kicker: the creator of the show casts it. That way the show has the best possible chance of showing off its potential. You don’t need to fill the cast with stars. In fact, it’s probably better if you don’t. But this gives young unknown actors a chance to get network exposure. And who knows? If the pilot does get made perhaps the network will want some of those unknowns to reprise their roles. TV makes stars, and this way you’d have more young actors given a chance to be seen and maybe breakout.

You could have these table readings at the network. You could schedule several for the day. A hundred people don’t decide which shows get picked up so you don’t need a hundred people in the room.

I guarantee you that at least two pilot scripts that didn’t seem impressive will suddenly knock everybody out. And a few of the scripts that were real jokey will be exposed for how lightweight and glib they really are.

The networks could make more informed decisions. They could discover new talent. They could really get a sense of what the writer had in mind. And it wouldn’t cost them a dime. The creators do all the work of assembling and rehearsing the cast.

Doesn’t that make sense? Like I said, it probably won’t happen. Networks don’t like giving up control at any point of the process. Allowing writers to follow their own vision and present the show they want to do (even for an informal table reading) would set a very bad precedent. Better to keep things the way they are – with a 95% failure rate.  Yep, that’s obviously a better system.

from By Ken Levine http://ift.tt/2xZOIAZ
Breaking News: Here's an idea broadcast networks will never do: - News Paper